Late nights · ambient
Mira Solvang
Field recordings, drone, and the records that only make sense after midnight. Records each set live to tape.
24/7
Hours unbroken
Off-Air is a small room with a big aerial. We broadcast hand-built shows from resident selectors and far-flung strangers — no playlist robot, no rotation, no filler. Just the hours, in order.
Graveyard Frequencies
Two hours of tape hiss, distant trains, and the slow records you only reach for at 3am. Phone the studio if you can't sleep either.
Everything is live once and lives forever in the archive. Times shown in studio time.
A rotating cast of selectors, no two booths alike. Each one owns their hour completely.
Field recordings, drone, and the records that only make sense after midnight. Records each set live to tape.
Wake-up broadcasts of broken beat, dub, and whatever crawled in off the night shift. Loud by 06:00.
Two-hour vinyl-only sessions: disco edits, leftfield soul, and B-sides nobody digitised. Guests welcome.
Long-form interviews with makers, mishearings, and a phone line we genuinely answer. No questions vetted.
One hour, one selector you've never heard of, sent in from somewhere we've never been. Submissions always open.
A standing invitation to break the format. Silence, noise, locked grooves, and the occasional accident left in.
We don't program the room. We hand it to someone who loves one thing too much, and we get out of the way.
Every hour we've ever broadcast, kept exactly as it went out. 9,000+ shows and counting.
The week's hours, the odd guest you shouldn't miss, and an open call when the next season's submissions go live. No noise — that's what the radio's for.
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